Video Tutorials

Steel Wool Photography: How to Spin Fire Into Stunning Long Exposure Shots
Video Tutorials

Steel Wool Photography: How to Spin Fire Into Stunning Long Exposure Shots

Every few months I’ll stumble across a photo on Instagram that stops me mid-scroll. You know the kind. Someone standing in the middle of a dark field, surrounded by what looks like a galaxy of sparks, orange and gold streaks radiating outward like a living firework. I’d double-tapped those shots a dozen times before I ever understood how they were made. That changed when I watched Peter McKinnon’s steel wool tutorial with his collaborator, photographer and creative director Chris Hau, who actually leads the technique breakdown.

How to Shoot Minimalist Beach Photography with a Film Camera (Lessons from Thomas Heaton)
Video Tutorials

How to Shoot Minimalist Beach Photography with a Film Camera (Lessons from Thomas Heaton)

There’s a specific kind of frustration I know well: arriving at a beautiful location, feeling the pressure of fading light, and having absolutely no idea where to point your camera. I’ve stood at the edge of Puget Sound on a Sunday morning walk with a perfect golden sky overhead and a completely blank mind. No anchor. No composition. Just pretty light and nothing to do with it. That problem, the gap between a beautiful scene and a compelling photograph, is exactly what this tutorial addresses.

How to Edit RAW Photos Without Getting Lost: A Beginner's Workflow That Actually Sticks
Video Tutorials

How to Edit RAW Photos Without Getting Lost: A Beginner's Workflow That Actually Sticks

Every Sunday morning I take a photo walk around Seattle, and somewhere between the ferry terminal and my second coffee, I always end up talking to someone who’s just switched to shooting RAW. They’re excited, a little overwhelmed, and almost always ask the same question: “Where do I even start?” I used to fumble through an answer because, honestly, it took me a while to figure that out for myself. Opening a RAW file and staring down a panel full of sliders is genuinely disorienting when no one has ever explained the order in which things should happen.

You Don't Need Expensive Gear — But You Do Need the Right Surfaces (Here's How to Build Your Photo Board Kit)
Video Tutorials

You Don't Need Expensive Gear — But You Do Need the Right Surfaces (Here's How to Build Your Photo Board Kit)

Every few months, someone slides into my DMs asking why their coffee shots or product flat-lays look a little off. The camera is fine. The lighting is decent. But the image still feels hollow. Nine times out of ten, the problem isn’t what’s in the frame. It’s what’s underneath it. I kept running into the same wall myself. Textured surfaces that actually photograph well are surprisingly hard to find. Marble contact paper looks like marble contact paper.

How to Pack a Camera Bag for an Extreme Cold-Weather Photography Trip (Without Getting Stopped at the Gate)
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How to Pack a Camera Bag for an Extreme Cold-Weather Photography Trip (Without Getting Stopped at the Gate)

Every photographer who has stood at a check-in desk with a bag that’s clearly too heavy knows that specific, quiet dread. You smile at the agent. You hope they don’t ask. I’ve been there more times than I’d like to admit, usually because I’ve convinced myself I absolutely need three lenses and a backup body for a weekend trip to the coast. But when the destination is somewhere genuinely remote and genuinely cold, like Mongolia in winter, the stakes are completely different.

How to Shoot Stunning Fall Color Photos (3 Lighting Tricks That Actually Work)
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How to Shoot Stunning Fall Color Photos (3 Lighting Tricks That Actually Work)

Every October I drag myself out of bed before sunrise for my Sunday photo walk, and every October I’m reminded that fall is both the most forgiving and the most deceptive season to shoot. The colors do a lot of the heavy lifting for you, sure. But point your camera in the wrong direction or stand in the wrong spot, and those gorgeous reds and golds go flat fast. I’ve watched friends come home from leaf-peeping trips with hundreds of photos that look like sad screensavers.

How to Shoot Medium Format Film Portraits with Off-Camera Flash (And Actually Get It Right)
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How to Shoot Medium Format Film Portraits with Off-Camera Flash (And Actually Get It Right)

There’s a particular kind of pressure that comes with shooting film portraits. No chimping. No histogram. No safety net of a burst mode full of options. Every frame costs something, and that cost forces a level of intentionality that digital photography, for all its convenience, rarely demands of us. I’ve shot a lot of film over the years, but I always find myself circling back to tutorials from photographers who work at the intersection of creativity and craft.

Get Closer Than You Think: Using the Olloclip Macro 3-in-1 for Tiny Subject Photography
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Get Closer Than You Think: Using the Olloclip Macro 3-in-1 for Tiny Subject Photography

I have a confession: one of my most-shared Instagram photos was taken on a phone. Not a mirrorless, not a DSLR, just a phone and good light. That moment turned into an entire article series, and it’s also why I keep coming back to mobile photography tools that actually hold up in the field. So when I came across this KelbyOne tutorial on using the Olloclip Macro 3-in-1 lens system, I paid attention.

How to Direct Maternity Portrait Sessions Like Ana Brandt: A Step-by-Step Posing Breakdown
Video Tutorials

How to Direct Maternity Portrait Sessions Like Ana Brandt: A Step-by-Step Posing Breakdown

Maternity sessions used to trip me up more than almost any other genre. The pressure is real: you have one window of time, an emotional subject, and a body that doesn’t respond to generic posing cues the way a typical portrait subject does. For a long time, I relied too heavily on poses I’d pinned and not enough on reading what was actually happening in front of my camera. What changed that for me was watching working pros direct in real time, not just seeing the final images.

How to Salvage a Terrible Photo: Breaking Down Peter McKinnon's Lightroom and Photoshop Workflow
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How to Salvage a Terrible Photo: Breaking Down Peter McKinnon's Lightroom and Photoshop Workflow

I have a folder on my hard drive called “maybe someday.” It’s full of shots I couldn’t bring myself to delete but couldn’t figure out how to fix. Overexposed skies, flat midday light, frames that had a feeling I loved and a histogram I hated. If you have a folder like that too, this workflow is going to feel like finding a key you forgot you were looking for. In this Peter McKinnon tutorial, Watch the full tutorial on YouTube, he walks through the complete edit of a Niagara Falls RAW file that he openly admits looks awful straight out of camera.

What Shooting in Patagonia Teaches You About Landscape Photography Anywhere
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What Shooting in Patagonia Teaches You About Landscape Photography Anywhere

There’s a particular kind of frustration that comes from arriving at a beautiful location and walking away with nothing usable. You saw the light. You were standing right there. But something about the image just didn’t land. I’ve had that happen more times than I’d like to admit, usually because I skipped the slower, more deliberate steps that separate a good frame from a forgettable one. What helped me rethink some of those habits was watching a Patagonia field shoot by landscape photographer Thomas Heaton.

How to Make Your Wildlife Subject Pop: The Flip the Scene Editing Trick
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How to Make Your Wildlife Subject Pop: The Flip the Scene Editing Trick

Every Sunday morning I take a photo walk around whatever corner of Seattle I land in, and if there’s one problem I’ve carried with me from shoot to shoot over the years, it’s this: I come home with a wildlife shot where the bird or animal looks muddy and flat against a background that’s somehow brighter and busier than the subject itself. It’s frustrating because you know the moment was good.