Street Photography

How to Hunt Reflected Light for Stronger Street Photos (Lessons from Sean Tucker)
Video Tutorials

How to Hunt Reflected Light for Stronger Street Photos (Lessons from Sean Tucker)

Every Sunday morning I do a photo walk through Seattle. It doesn’t matter if it’s drizzling (it usually is). What I’m always looking for, more than a good subject or an interesting corner, is light that’s doing something unexpected. For a long time I couldn’t explain why some mornings felt electric and others felt flat, even when the subjects and locations were basically the same. The answer, almost every time, came down to reflected light, and whether I’d trained my eye to see it before I raised the camera.

The Contact Sheet Mindset: What Street Photography Pros Do Between the Shots You Never See
Video Tutorials

The Contact Sheet Mindset: What Street Photography Pros Do Between the Shots You Never See

Every Sunday morning I take a photo walk through whatever neighborhood I happen to wake up in. I’ve been doing it for years. And for most of those early years, I came home frustrated. I’d shoot for two hours, import everything, and feel like I had nothing. Not because I wasn’t trying hard enough, but because I had this completely wrong idea of what a productive shoot actually looks like. I thought the photographers I admired were just… better at seeing.

What Alex Webb Taught Me About Actually Seeing Color (And Why I Finally Stopped Hiding Behind Black and White)
Video Tutorials

What Alex Webb Taught Me About Actually Seeing Color (And Why I Finally Stopped Hiding Behind Black and White)

For a long time, I defaulted to black and white whenever I felt unsure. Desaturate the image, lean into contrast and shadow, and suddenly everything looked intentional. It was a crutch I didn’t even know I was holding until I started noticing how many of my color shots felt flat and almost accidental, like color was just something that happened to be there instead of something I was actually working with.

Is the Sony RX1R III Actually Worth It as an Everyday Camera? Here's What One Shoot Taught Me
Video Tutorials

Is the Sony RX1R III Actually Worth It as an Everyday Camera? Here's What One Shoot Taught Me

Every few months I drag a different camera on my Sunday morning photo walk just to shake up my thinking. Last week I watched Pierre T. Lambert do essentially the same thing on video, except his walk involved a very photogenic dog and a downtown cityscape, and the camera in question was the brand-new Sony RX1R III. The video is bluntly titled “This ’everyday’ camera may be a mistake!” and it delivers exactly the kind of honest, in-the-field assessment I wish more gear coverage would give us.

Street Photography Ethics and Techniques
Techniques

Street Photography Ethics and Techniques

Street photography sits at a unique intersection of art, documentation, and ethics. You’re capturing real people in real moments, often without their knowledge or consent. Doing it well requires both technical skill and a thoughtful approach to the people you photograph. The Ethical Framework Street photography in public spaces is legal in most countries. But legal and ethical aren’t the same thing. Here’s the framework I use. Respect dignity. Don’t photograph people in moments of vulnerability, distress, or embarrassment for entertainment value.

Street Photography Essentials: How to Capture Authentic Moments in Public Spaces
Composition & Technique

Street Photography Essentials: How to Capture Authentic Moments in Public Spaces

Street Photography Essentials: How to Capture Authentic Moments in Public Spaces Street photography has become my favorite way to explore the world. There’s something magical about capturing unscripted moments—a child’s laugh, the play of light on a wet sidewalk, or the interaction between strangers. If you’ve ever felt drawn to this style but weren’t sure where to start, I’m here to guide you through the fundamentals. Why Street Photography Matters Before diving into technique, I want to explain why this genre is so rewarding.