What Alex Webb Taught Me About Actually Seeing Color (And Why I Finally Stopped Hiding Behind Black and White)

What Alex Webb Taught Me About Actually Seeing Color (And Why I Finally Stopped Hiding Behind Black and White)

For a long time, I defaulted to black and white whenever I felt unsure. Desaturate the image, lean into contrast and shadow, and suddenly everything looked intentional. It was a crutch I didn’t even know I was holding until I started noticing how many of my color shots felt flat and almost accidental, like color was just something that happened to be there instead of something I was actually working with.

Tiny Camera, Unexpected Angles: What the Insta360 GO 3S Taught Me About Thinking Small

Tiny Camera, Unexpected Angles: What the Insta360 GO 3S Taught Me About Thinking Small

I have a confession: I spent years dismissing action cameras as “sports gear.” Helmet cams, surfboard mounts, skydiving footage. Not my world. Then I started noticing how a handful of filmmakers were using these tiny cameras to pull off shots that a full-sized rig simply cannot do, and I had to rethink everything. The size isn’t a limitation. It’s the whole point. In this Peter McKinnon tutorial covering the Insta360 GO 3S, Watch the full tutorial on YouTube, McKinnon doesn’t just walk through specs.

The Skill Photography School Never Taught You (And Why It's Costing You Work)

The Skill Photography School Never Taught You (And Why It's Costing You Work)

I started teaching photography because a stranger at a coffee shop tapped me on the shoulder and asked how I got the shot on my screen. That one conversation changed the direction of my career. But here’s what I didn’t realize at the time: the part that actually built my career wasn’t learning to shoot. It was learning to talk about my work, reach out to people, and make myself findable and hireable.

How Portable RGB Lighting is Transforming Modern Photography Practice

How Portable RGB Lighting is Transforming Modern Photography Practice

The Game-Changing Power of Portable Lighting I’ve noticed a significant shift in how photographers approach their work over the past couple of years. Many of us are moving away from relying solely on natural light or complex flash setups toward more practical, hands-on solutions. One trend that keeps gaining momentum is the adoption of compact, portable LED lighting systems. What’s exciting about this movement isn’t just the technology itself—it’s how accessible and affordable these tools have become.

Getting Started with the Fujifilm GFX100 II: What Every Photographer Needs to Know First

Getting Started with the Fujifilm GFX100 II: What Every Photographer Needs to Know First

There’s a moment every photographer knows. You’ve just invested in a serious piece of gear, the box is open, and you’re staring at a camera that costs more than some used cars. You want to skip straight to shooting. But if you skip the fundamentals, you’ll spend weeks shooting on default settings that don’t reflect what the camera can actually do. I’ve been there, and it’s frustrating in a way that’s completely avoidable.

Why Just Wing It Is Killing Your Travel Photography (And What to Do Instead)

Why Just Wing It Is Killing Your Travel Photography (And What to Do Instead)

I spent an entire vacation in Iceland chasing one specific waterfall shot. Every evening, same trail, same tripod position, different disappointment. I missed dinners, missed conversations, missed the northern lights happening two fields over. I came home with technically fine images and a quiet sense that I’d done the whole trip wrong. What I was running from, though I couldn’t name it at the time, was the obvious problem with traveling for photography: you almost never have enough time to actually understand a new place before the light disappears.

Do Combo ND-Polarizer Filters Actually Hold Up in the Field? A Look at PolarPro's QuartzLine

Do Combo ND-Polarizer Filters Actually Hold Up in the Field? A Look at PolarPro's QuartzLine

There’s a specific kind of frustration that hits when you’re standing at a waterfall location, light is changing fast, and you’re fumbling with two separate filters trying to stack them without introducing vignette or misalignment. I’ve been there more times than I’d like to admit. I once missed dinner three nights in a row on a trip chasing one particular waterfall shot, and I can tell you that the last thing you want between you and the image is an equipment puzzle.

Is the Sony RX1R III Actually Worth It as an Everyday Camera? Here's What One Shoot Taught Me

Is the Sony RX1R III Actually Worth It as an Everyday Camera? Here's What One Shoot Taught Me

Every few months I drag a different camera on my Sunday morning photo walk just to shake up my thinking. Last week I watched Pierre T. Lambert do essentially the same thing on video, except his walk involved a very photogenic dog and a downtown cityscape, and the camera in question was the brand-new Sony RX1R III. The video is bluntly titled “This ’everyday’ camera may be a mistake!” and it delivers exactly the kind of honest, in-the-field assessment I wish more gear coverage would give us.

Canon R1 Basics You Actually Need to Know Before You Shoot a Single Frame

Canon R1 Basics You Actually Need to Know Before You Shoot a Single Frame

Every time I get a new camera, I make the same mistake. I skip the fundamentals because I assume I already know them, and then two weeks later I’m standing somewhere beautiful with the wrong settings baked into a thousand raw files. That habit has cost me more good shots than I’d like to admit. When I sat down with John Greengo’s Canon R1 tutorial series, I was genuinely surprised by how much useful groundwork he lays in just the second section.

Is Medium Format Photography Finally Becoming Accessible to Everyone?

Is Medium Format Photography Finally Becoming Accessible to Everyone?

Is Medium Format Photography Finally Becoming Accessible to Everyone? When I first started photography, medium format was something I’d only encounter in glossy magazine spreads or high-end commercial shoots. The cameras seemed to exist in a different universe—expensive, temperamental, and absolutely out of reach for someone like me who was still learning the basics. But things are changing, and I’m genuinely excited about what this means for our photography community.

How to Recolor Large Product Photos in Photoshop (Without Losing Fabric Detail)

How to Recolor Large Product Photos in Photoshop (Without Losing Fabric Detail)

If you photograph products for small businesses or e-commerce clients, you have almost certainly run into this exact problem: a furniture company has one beautiful sofa, it comes in fourteen fabric colors, and they want fourteen polished, consistent product images for their website. Reshooting every single colorway is expensive and time-consuming. There has to be a smarter way. That smarter way is digital recoloring, and in this Sean Tucker tutorial, he walks through exactly how to pull it off in Photoshop using physical fabric swatches as your color reference.

How to Edit Other People's Photos (And What It Actually Teaches You About Your Own)

How to Edit Other People's Photos (And What It Actually Teaches You About Your Own)

Every Sunday morning I take a photo walk through my Seattle neighborhood, and I almost always come home with a card full of raw files I’m not entirely sure what to do with. The composition feels right, the light was good, but somewhere between capture and export the image loses the energy I felt when I pressed the shutter. That gap between what you saw and what the edit delivers is the thing I kept hearing photographers describe when I first started teaching, and it’s exactly the problem that editing tutorials built around real submitted photos solve so well.