Medium Format

Do You Actually Need a Bigger Camera Sensor? What Landscape Photographers Should Know First
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Do You Actually Need a Bigger Camera Sensor? What Landscape Photographers Should Know First

There’s a version of this conversation I’ve had probably a dozen times, usually with someone who’s been shooting for a year or two and has hit that frustrating plateau where their images feel technically good but not quite there. The conclusion they’ve arrived at is almost always the same: they need a bigger sensor. A full-frame upgrade, or maybe even medium format. If the files are larger and the dynamic range is wider, surely the images will follow.

Shooting Film Portraits at Home: What I Learned From Sean Tucker's Medium Format Setup
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Shooting Film Portraits at Home: What I Learned From Sean Tucker's Medium Format Setup

I have a complicated relationship with “staying home and shooting.” For years, I told myself I needed to be somewhere interesting before a portrait session was worth attempting. A good location, good light, some reason to leave the house. It took me an embarrassing amount of time to realize that the most controlled, repeatable, and honestly beautiful portrait work often happens in a single room with a couple of thoughtful decisions about gear and light.

What Hasselblad's Photokina 2014 Stand Taught Me About Printing Big and Shooting Wireless
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What Hasselblad's Photokina 2014 Stand Taught Me About Printing Big and Shooting Wireless

There’s a moment every photographer chases where you see your work printed at a scale you weren’t quite prepared for. Not on a screen, not in a proof, but on a wall so large you have to step back just to take it all in. For me, that kind of moment usually happens by accident, and it always asks the same uncomfortable question: did my camera actually capture enough? Resolution, sharpness, dynamic range.

What a Hasselblad on the Coast Taught Me About Shooting Film Without a Safety Net
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What a Hasselblad on the Coast Taught Me About Shooting Film Without a Safety Net

Every film photographer I know has a version of the same story: you drive an hour to a location, set up your camera, and realize you forgot something important. A filter adapter. A cable release. The prism viewfinder you were absolutely certain you packed. What makes the difference between a ruined shoot and a great one isn’t perfect preparation. It’s knowing how to adapt your technique on the fly while still protecting the exposures you only get twelve of per roll.

Is Your Camera Gear Quietly Limiting Your Creativity? What Mark Denney's System Switch Taught Me
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Is Your Camera Gear Quietly Limiting Your Creativity? What Mark Denney's System Switch Taught Me

There’s a question I ask myself every time I come home from a Sunday photo walk with shots I’m not excited about: was it the light, was it me, or was it my gear? Usually the honest answer is me. But occasionally, gear really does get in the way, and the tricky part is that it happens so gradually you don’t notice until you’re reviewing your portfolio and realizing you stopped shooting entire categories of images you used to love.

Getting Started with the Fujifilm GFX100 II: What Every Photographer Needs to Know First
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Getting Started with the Fujifilm GFX100 II: What Every Photographer Needs to Know First

There’s a moment every photographer knows. You’ve just invested in a serious piece of gear, the box is open, and you’re staring at a camera that costs more than some used cars. You want to skip straight to shooting. But if you skip the fundamentals, you’ll spend weeks shooting on default settings that don’t reflect what the camera can actually do. I’ve been there, and it’s frustrating in a way that’s completely avoidable.

Is Medium Format Photography Finally Becoming Accessible to Everyone?
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Is Medium Format Photography Finally Becoming Accessible to Everyone?

Is Medium Format Photography Finally Becoming Accessible to Everyone? When I first started photography, medium format was something I’d only encounter in glossy magazine spreads or high-end commercial shoots. The cameras seemed to exist in a different universe—expensive, temperamental, and absolutely out of reach for someone like me who was still learning the basics. But things are changing, and I’m genuinely excited about what this means for our photography community.