Editing Workflow

The Painterly Landscape Edit: How to Stop Fighting Your RAW Files and Start Sculpting Light
Video Tutorials

The Painterly Landscape Edit: How to Stop Fighting Your RAW Files and Start Sculpting Light

I spent three evenings one fall chasing a waterfall shot in Olympic National Park. I had the composition. I had the light. What I did not have was an edit that matched what I remembered feeling when I was standing there. Every time I opened the file, I’d reach for the contrast slider, drag it too far, pull it back, overcorrect with shadows, and end up with something that looked processed rather than felt.

10 Premiere Pro Tips That Will Actually Change How You Edit (Organized by How Much Time They'll Save You)
Video Tutorials

10 Premiere Pro Tips That Will Actually Change How You Edit (Organized by How Much Time They'll Save You)

I shoot a lot. Between client work, travel content, and the Sunday photo walks I refuse to give up no matter the Seattle weather, I end up with a genuinely embarrassing amount of footage to sort through. For a long time, my editing workflow was the digital equivalent of throwing clothes on a chair and hoping for the best. Bins named “stuff,” clips in the wrong sequence, color grades applied one painstaking cut at a time.

Edit Your B-Roll to Music in Minutes: The Premiere Pro Automate-to-Sequence Trick You Need
Video Tutorials

Edit Your B-Roll to Music in Minutes: The Premiere Pro Automate-to-Sequence Trick You Need

I make playlists for everything. Shooting moods, editing sessions, long exports. So when I’m cutting a travel video and I want the b-roll to sync with the music, it matters to me. What doesn’t feel great is spending forty-five minutes dragging clips one by one onto a timeline, nudging them around, playing it back, nudging again. That workflow kills the creative energy faster than a dead battery at golden hour.

Why You're Probably Wrong About Your Best Photos (And What to Do About It)
Video Tutorials

Why You're Probably Wrong About Your Best Photos (And What to Do About It)

I used to think I was the most qualified person in the room to judge my own photos. They came from my brain, my eye, my instinct on a given morning. Who could possibly understand them better than me? It took a few humbling conversations with other photographers before I started to question that assumption, and I’m still unlearning it. That’s exactly why this particular tutorial hit me so hard.

How to Edit Raw Photos with Intention: Lessons from Peter McKinnon's Community Edit Series
Video Tutorials

How to Edit Raw Photos with Intention: Lessons from Peter McKinnon's Community Edit Series

Every Sunday morning I take a photo walk around Seattle. Rain, sun, fog, it doesn’t matter. I come home with a card full of raw files, and here’s the thing I’ve noticed after years of doing this: taking the photo is only half the work. The edit is where you decide what the image actually says. That’s the part most beginners skip over or rush through, and it’s the part that separates a forgettable snapshot from something worth sharing.