How to Photograph Wildlife in a Landscape (Without Sacrificing Either)
Every landscape photographer eventually faces this problem: you spend an hour composing the perfect shot, and then something living walks into the frame and ruins your plan. Or, if you’re lucky, it makes your plan ten times better. The difference between those two outcomes usually comes down to whether you’ve thought about wildlife as a compositional element before the animal shows up, not after. That’s the core lesson I took from this William Patino tutorial filmed during his encounters with kea, the world’s only alpine parrot, in the New Zealand mountains.