Premiere Pro

Edit Videos Faster in Premiere Pro: The Favorites Folder Method That Changed My Workflow
Video Tutorials

Edit Videos Faster in Premiere Pro: The Favorites Folder Method That Changed My Workflow

There is a particular kind of editing paralysis that hits when you open a new project and realize you have to hunt through the same effects panels, apply the same color grade from memory, and drag over the same transitions you used last week. Every. Single. Time. I used to chalk it up to “just part of the process,” but the more projects I took on, the more I realized I was losing 20 to 30 minutes per video to pure, avoidable repetition.

Shoot to Edit: How to Use Masking and Frame-Blocking Transitions in Premiere Pro
Video Tutorials

Shoot to Edit: How to Use Masking and Frame-Blocking Transitions in Premiere Pro

Every Sunday morning I take a photo walk around Seattle. For the longest time, those walks were strictly stills. Then I started bringing a camera that shoots video, and suddenly I had a whole new problem: the footage looked fine on its own but fell apart the moment I tried to cut it together. Clips just slammed into each other. No flow, no feeling, nothing that matched the energy of actually being out there at 7am with a coffee and good light.

How to Fake a Face Punch in Premiere Pro (And Why It Taught Me to Think Like an Editor)
Video Tutorials

How to Fake a Face Punch in Premiere Pro (And Why It Taught Me to Think Like an Editor)

There’s a certain kind of editing problem that looks impossible until someone walks you through it slowly, and then you wonder why you never figured it out yourself. A realistic fake punch is exactly that kind of problem. It sounds like a Hollywood stunt department situation, something that requires compositing software and a visual effects budget. But it doesn’t. It requires good footage, a few precise cuts, a speed ramp, and the right sound design.

10 Premiere Pro Tips That Will Actually Change How You Edit (Organized by How Much Time They'll Save You)
Video Tutorials

10 Premiere Pro Tips That Will Actually Change How You Edit (Organized by How Much Time They'll Save You)

I shoot a lot. Between client work, travel content, and the Sunday photo walks I refuse to give up no matter the Seattle weather, I end up with a genuinely embarrassing amount of footage to sort through. For a long time, my editing workflow was the digital equivalent of throwing clothes on a chair and hoping for the best. Bins named “stuff,” clips in the wrong sequence, color grades applied one painstaking cut at a time.

Adobe's New Color Mode in Premiere Pro Changed How I Think About Video Editing
Video Tutorials

Adobe's New Color Mode in Premiere Pro Changed How I Think About Video Editing

I have a confession that will probably resonate with anyone who edits video in Premiere Pro. My color grading workflow has always been, to put it kindly, a disaster. Adjustment layers stacked on top of adjustment layers, clips mysteriously missing color on export, then hunting through a timeline that looks like it survived an earthquake to figure out which seven clips I forgot. If you shoot travel or lifestyle content and you’re cutting together 40-plus clips from a single shoot day, that chaos compounds fast.

Edit Your B-Roll to Music in Minutes: The Premiere Pro Automate-to-Sequence Trick You Need
Video Tutorials

Edit Your B-Roll to Music in Minutes: The Premiere Pro Automate-to-Sequence Trick You Need

I make playlists for everything. Shooting moods, editing sessions, long exports. So when I’m cutting a travel video and I want the b-roll to sync with the music, it matters to me. What doesn’t feel great is spending forty-five minutes dragging clips one by one onto a timeline, nudging them around, playing it back, nudging again. That workflow kills the creative energy faster than a dead battery at golden hour.