Two Tiny Notebooks That Killed My Phone Addiction (And Made Me a Better Photographer)

Two Tiny Notebooks That Killed My Phone Addiction (And Made Me a Better Photographer)

I shoot with my phone sometimes on purpose, just to prove it’s not the gear that matters. But here’s the thing I had to admit to myself last year: I wasn’t picking up my phone to shoot. I was picking it up to scroll. To check notifications. To fall into a thirty-minute Instagram hole when I should have been editing the shoot from the weekend before. My phone had quietly become the biggest obstacle between me and my actual creative work, and I didn’t even notice until my Sunday photo walks started feeling distracted instead of meditative.

You're Already a Photographer — Here's How to Stop Talking Yourself Out of It

You're Already a Photographer — Here's How to Stop Talking Yourself Out of It

I started teaching photography because a stranger at a coffee shop asked how I got a particular shot on my phone. Not my camera. My phone. I almost deflected the question with “oh, I’m not really a teacher” before I caught myself. Here I was, someone who had spent years shooting professionally, about to tell a complete stranger that I wasn’t qualified to explain what I had literally just done. That moment stuck with me, and it’s exactly why I kept coming back to this video.

Why Encouraging Other Photographers Is One of the Most Powerful Things You Can Do

Why Encouraging Other Photographers Is One of the Most Powerful Things You Can Do

There’s a version of photography culture that feels like a competition. Whose gear is better, whose edit is cleaner, whose follower count is climbing faster. I spent my first couple of years shooting in that headspace, quietly comparing myself to everyone and saying very little to the people around me. What changed things wasn’t a new lens or a Lightroom preset. It was a stranger at a coffee shop asking how I got a particular shot, and me actually sitting down and explaining it.

The Business Side of Photography Nobody Teaches You: Joel Grimes on Human Behavior and Creative Drive

The Business Side of Photography Nobody Teaches You: Joel Grimes on Human Behavior and Creative Drive

I’ll be honest with you: when I first started teaching photography, I assumed the hardest part would be explaining things like exposure triangles or composition rules. What I didn’t expect was how often students would ask me questions I had no good answer to, things like “How do I actually get clients?” or “Why do I feel so stuck even though my photos are getting better?” Those aren’t technical questions. They’re business and mindset questions, and most photography education just skips right past them.