On-Location Shooting

Scout Like a Pro: Peter McKinnon's Framework for Shooting High-Stakes Live Events
Video Tutorials

Scout Like a Pro: Peter McKinnon's Framework for Shooting High-Stakes Live Events

There’s a specific kind of pressure that shows up when you’re photographing something that cannot be repeated. A live stunt. A wedding ceremony. A sunrise that’s only happening once. I’ve felt it standing at a waterfall at 6 AM, soaking wet, telling myself I had one shot before the light moved. No reshoot, no “let me just try one more angle.” That pressure either makes your prep airtight or it exposes every shortcut you took.

The Storyboard Method: How to Shoot More Intentionally and Come Home With Images That Actually Tell a Story
Video Tutorials

The Storyboard Method: How to Shoot More Intentionally and Come Home With Images That Actually Tell a Story

Every Sunday morning I do a photo walk. No agenda, no client brief, just me and whatever lens I feel like carrying. And for years, I would come home from those walks with maybe one image I liked. One. Out of two hours of shooting. I used to chalk it up to the conditions being off, or the light not cooperating, but honestly? The problem was my process. I would find a scene I loved, plant myself in front of it, fire off a bunch of nearly identical frames, and call it done.