How to Plan and Execute Multiple Photo Shoots in One Weekend (Without Losing Your Mind)

How to Plan and Execute Multiple Photo Shoots in One Weekend (Without Losing Your Mind)

Every few months I hit a wall. Not a technical wall — I know my camera settings, I can read light reasonably well, and I’ve been doing this long enough that the mechanics are mostly muscle memory. The wall I hit is creative. The photos start feeling safe. Predictable. Like I’m just going through the motions on my Sunday morning photo walks without really seeing anything new. That’s exactly why this Mango Street tutorial stopped me mid-scroll.

Two Tiny Notebooks That Killed My Phone Addiction (And Made Me a Better Photographer)

Two Tiny Notebooks That Killed My Phone Addiction (And Made Me a Better Photographer)

I shoot with my phone sometimes on purpose, just to prove it’s not the gear that matters. But here’s the thing I had to admit to myself last year: I wasn’t picking up my phone to shoot. I was picking it up to scroll. To check notifications. To fall into a thirty-minute Instagram hole when I should have been editing the shoot from the weekend before. My phone had quietly become the biggest obstacle between me and my actual creative work, and I didn’t even notice until my Sunday photo walks started feeling distracted instead of meditative.

What a Knife Maker's Pockets Taught Me About Intentional Everyday Carry (And Why It Matters for Creatives)

What a Knife Maker's Pockets Taught Me About Intentional Everyday Carry (And Why It Matters for Creatives)

I used to throw whatever I needed into my bag every morning without thinking twice. A lens here, a battery there, my phone stuffed into whatever pocket had room. Then I’d get somewhere beautiful on a Sunday walk and realize I’d forgotten my AirPods, or my backup card, or the one thing I needed to actually enjoy the shoot. It sounds small until it happens enough times that it starts affecting your work.

How Serge Ramelli Built a Full AI Music Video (And What Photographers Can Learn From His Workflow)

How Serge Ramelli Built a Full AI Music Video (And What Photographers Can Learn From His Workflow)

There’s a version of burnout that doesn’t look like burnout. You’re still shooting. You’re still editing. You’re still posting. But somewhere along the way, the work starts to feel like obligation instead of expression, and you can’t quite remember when that switch flipped. I’ve been there more than once, and I suspect most photographers reading this have too. That’s why I sat up a little straighter when I came across this Serge Ramelli tutorial, Watch the full tutorial on YouTube, and realized it had nothing to do with Lightroom sliders or lens choices.