Why I've Stopped Caring About Photography Competitions (And Why You Might Want To Also)

Why I've Stopped Caring About Photography Competitions (And Why You Might Want To Also)

I used to submit to photography competitions a lot. I told myself it was for the feedback, the exposure, the community. But honestly? I wanted the validation. A badge from a respected name felt like proof that I was doing something right. Then I watched a First Man Photography video that reframed the whole thing for me, and I haven’t looked at contests quite the same way since. Watch the full tutorial on YouTube

How to Actually Win Photography Competitions (A Judge Explains What They're Really Looking For)

How to Actually Win Photography Competitions (A Judge Explains What They're Really Looking For)

Every few months I submit work to photography competitions, and for a long time I kept making the same quiet mistake. I’d scroll through my Lightroom catalog, find something I was genuinely proud of, and send it in thinking, “This is strong work. Surely that’s enough.” It wasn’t. The results were a lesson I didn’t fully understand until I watched Karl Taylor’s competition breakdown over at Visual Education. Watch the full tutorial on YouTube

Broncolor's Gen NEXT Competition: What It Means for Young Photographers Chasing Serious Gear

Broncolor's Gen NEXT Competition: What It Means for Young Photographers Chasing Serious Gear

There’s a specific kind of frustration that comes with knowing your vision is bigger than your gear. I felt it hard when I was starting out, borrowing flashes, renting strobes I couldn’t afford, and trying to build a portfolio that looked professional on a budget that absolutely was not. That gap between what you can imagine and what you can actually produce with the equipment in your hands is real, and it slows a lot of talented people down.

When Editing Becomes Cheating: What Disqualified Photos Teach Us About Competition Rules

When Editing Becomes Cheating: What Disqualified Photos Teach Us About Competition Rules

Photography competitions are one of those topics I find genuinely fascinating, partly because they matter so much to people’s careers and partly because the rules around them reveal a lot about how we collectively define “truth” in an image. A single win in the right competition can shift everything: editorial assignments, gallery interest, licensing deals. The stakes are real. And where there are high stakes, there are people who push boundaries, sometimes accidentally, sometimes not.