How to Actually Learn From Photo Critiques (And What Peter McKinnon Taught Me About Telling Better Stories)
One of the hardest things to do as a photographer is look at your own work honestly. I spent years thinking a sharp image with decent exposure was a job well done. It wasn’t until I started putting my photos in front of other people, and watching how they reacted, that I realized technical correctness and emotional impact are two completely different things. A critique session forces that gap wide open, and that’s exactly why I think they’re one of the most underrated learning tools available to us.