Move Your Light Behind the Subject — The Simple Shift That Makes Photos Look Expensive
Every Sunday morning I take a photo walk through my neighborhood in Seattle, and I can tell you from years of doing it: most of the difference between a mediocre shot and a compelling one isn’t the camera, the subject, or even the composition. It’s where the light is coming from. I spent an embarrassing amount of time early in my career placing lights directly in front of subjects and wondering why my photos looked flat and lifeless.