Video Tutorials
Shoot to Edit: How to Use Masking and Frame-Blocking Transitions in Premiere Pro
Every Sunday morning I take a photo walk around Seattle. For the longest time, those walks were strictly stills. Then I started bringing a camera that shoots video, and suddenly I had a whole new problem: the footage looked fine on its own but fell apart the moment I tried to cut it together. Clips just slammed into each other. No flow, no feeling, nothing that matched the energy of actually being out there at 7am with a coffee and good light.